Let It Come Down: The Life of Paul Bowles GoMovies
One of the most enigmatic artists of the 20th century, writer, composer and wanderer Paul Bowles (1910-1999) is profiled by a filmmaker who has been obsessed with his genius since age nineteen. Set against the dramatic landscape of North Africa, the mystery of Bowles (famed author of The Sheltering Sky) begins to unravel in Jennifer Baichwal’s poetic and moving Let It Come Down: The Life of Paul Bowles. Rare, candid interviews with the reclusive Bowles–at home in Tangier, as well as in New York during an extraordinary final reunion with Allen Ginsberg and William Burroughs–are intercut with conflicting views of his supporters and detractors. At the time in his mid-eighties, Bowles speaks with unprecedented candor about his work, his controversial private life and his relationships with Gertrude Stein, Tennessee Williams, Truman Capote, the Beats, and his wife and fellow author Jane Bowles.
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Let It Come Down: The Life of Paul Bowles GoMovies Review
I liked the movie Let It Come Down: The Life of Paul Bowles, thanks to the boring dialogue between the characters and the really intriguing moment of their interaction with each other, 75 min minutes of time were well spent.
A brilliant script that was something out of the ordinary for 1999, coupled with skillful directorial work, turned this movie into an example of good cinematography.
It was the first movie in the genre of Documentary, after which I had a double impression: on the one hand, it was interesting to watch the characters, and on the other, some of the actors clearly lacked experience.
Throughout the 75 min minutes, I had the feeling that not today, but tomorrow, I will definitely meet them in the nearest supermarket or park.
Jennifer Baichwal created the very movie, after watching which you want to erase your memory in order to watch it again, and again, like for the first time, feel the whole range of vivid emotions.
The characters are interesting and not stereotyped, but the Allen Ginsberg, Philip Rosch, William S. Burroughs, who brought them to life, pumped up a little, because they did not always play their roles reliably, apparently, they could not fully feel their heroes.